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системы","\u002Fru\u002Feditor\u002Fmusic-notation\u002Fmeasure\u002Fsystembreaks","ru\u002Feditor\u002F2.music-notation\u002F5.measure\u002FsystemBreaks","\u002Fru\u002Fmusic-notation-software\u002Fsystem-break\u002F","system-break",{"title":417,"path":418,"stem":419,"permalink":420,"pid":421,"nav":77},"Аччелерáндо и ритардáндо","\u002Fru\u002Feditor\u002Fmusic-notation\u002Fmeasure\u002Ftempochanges","ru\u002Feditor\u002F2.music-notation\u002F5.measure\u002FtempoChanges","\u002Fru\u002Fmusic-notation-software\u002Ftempo-changes\u002F","tempo-changes",{"title":423,"path":424,"stem":425,"children":426,"page":216},"Артикуляции","\u002Fru\u002Feditor\u002Fmusic-notation\u002Farticulation","ru\u002Feditor\u002F2.music-notation\u002F6.articulation",[427,433,438,444,450,456,462,468,474,479],{"title":428,"path":429,"stem":430,"permalink":431,"pid":432,"nav":77},"Добавление или удаление 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нота","\u002Fru\u002Feditor\u002Fmusic-notation\u002Farticulation\u002Fbuzznote","ru\u002Feditor\u002F2.music-notation\u002F6.articulation\u002Fbuzznote","\u002Fru\u002Fmusic-notation-software\u002Fbuzznote\u002F","buzznote",{"title":445,"path":446,"stem":447,"permalink":448,"pid":449,"nav":77},"Фермата","\u002Fru\u002Feditor\u002Fmusic-notation\u002Farticulation\u002Ffermata","ru\u002Feditor\u002F2.music-notation\u002F6.articulation\u002Ffermata","\u002Fru\u002Fmusic-notation-software\u002Ffermata\u002F","fermata",{"title":451,"path":452,"stem":453,"permalink":454,"pid":455,"nav":77},"Аппликатура","\u002Fru\u002Feditor\u002Fmusic-notation\u002Farticulation\u002Ffingergings","ru\u002Feditor\u002F2.music-notation\u002F6.articulation\u002Ffingergings","\u002Fru\u002Fmusic-notation-software\u002Ffingerings\u002F","fingerings",{"title":457,"path":458,"stem":459,"permalink":460,"pid":461,"nav":77},"Лиги для форшлагов","\u002Fru\u002Feditor\u002Fmusic-notation\u002Farticulation\u002Fgraceslur","ru\u002Feditor\u002F2.music-notation\u002F6.articulation\u002FgraceSlur","\u002Fru\u002Fmusic-notation-software\u002Fgrace-note-slur\u002F","graceNoteSlur",{"title":463,"path":464,"stem":465,"permalink":466,"pid":467,"nav":77},"Флажолет","\u002Fru\u002Feditor\u002Fmusic-notation\u002Farticulation\u002Fharmonic","ru\u002Feditor\u002F2.music-notation\u002F6.articulation\u002Fharmonic","\u002Fru\u002Fmusic-notation-software\u002Fharmonic\u002F","harmonic",{"title":469,"path":470,"stem":471,"permalink":472,"pid":473,"nav":77},"Сурдина","\u002Fru\u002Feditor\u002Fmusic-notation\u002Farticulation\u002Fmute","ru\u002Feditor\u002F2.music-notation\u002F6.articulation\u002Fmute","\u002Fru\u002Fmusic-notation-software\u002Fmute\u002F","pizz",{"title":475,"path":476,"stem":477,"permalink":478,"pid":473,"nav":77},"Пиццикато (пицц\u002Fарко)","\u002Fru\u002Feditor\u002Fmusic-notation\u002Farticulation\u002Fpizzicatos","ru\u002Feditor\u002F2.music-notation\u002F6.articulation\u002Fpizzicatos","\u002Fru\u002Fmusic-notation-software\u002Fpizz\u002F",{"title":480,"path":481,"stem":482,"permalink":483,"pid":484,"nav":77},"Лигация нот","\u002Fru\u002Feditor\u002Fmusic-notation\u002Farticulation\u002Fslurs","ru\u002Feditor\u002F2.music-notation\u002F6.articulation\u002Fslurs","\u002Fru\u002Fmusic-notation-software\u002Fslur\u002F","slur",{"title":486,"path":487,"stem":488,"children":489,"page":216},"Dynamics","\u002Fru\u002Feditor\u002Fmusic-notation\u002Fdynamics","ru\u002Feditor\u002F2.music-notation\u002F7.dynamics",[490,496,502],{"title":491,"path":492,"stem":493,"permalink":494,"pid":495,"nav":77},"Добавление динамических 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педали","\u002Fru\u002Feditor\u002Fmusic-notation\u002Fdynamics\u002Fpedal","ru\u002Feditor\u002F2.music-notation\u002F7.dynamics\u002Fpedal","\u002Fru\u002Fmusic-notation-software\u002Fpedal\u002F","pedal",{"title":509,"path":510,"stem":511,"children":512,"page":216},"Украшения","\u002Fru\u002Feditor\u002Fmusic-notation\u002Fornament","ru\u002Feditor\u002F2.music-notation\u002F8.ornament",[513,519,525,531,537,543],{"title":514,"path":515,"stem":516,"permalink":517,"pid":518,"nav":77},"Арпеджио","\u002Fru\u002Feditor\u002Fmusic-notation\u002Fornament\u002Farpeggio","ru\u002Feditor\u002F2.music-notation\u002F8.ornament\u002Farpeggio","\u002Fru\u002Fmusic-notation-software\u002Farpeggio\u002F","arpeggio",{"title":520,"path":521,"stem":522,"permalink":523,"pid":524,"nav":77},"Глиссандо","\u002Fru\u002Feditor\u002Fmusic-notation\u002Fornament\u002Fglissando","ru\u002Feditor\u002F2.music-notation\u002F8.ornament\u002Fglissando","\u002Fru\u002Fmusic-notation-software\u002Fglissando\u002F","glissando",{"title":526,"path":527,"stem":528,"permalink":529,"pid":530,"nav":77},"Мордент","\u002Fru\u002Feditor\u002Fmusic-notation\u002Fornament\u002Fmordents","ru\u002Feditor\u002F2.music-notation\u002F8.ornament\u002Fmordents","\u002Fru\u002Fmusic-notation-software\u002Fmordents\u002F","mordent",{"title":532,"path":533,"stem":534,"permalink":535,"pid":536,"nav":77},"Тремоло","\u002Fru\u002Feditor\u002Fmusic-notation\u002Fornament\u002Ftremolo","ru\u002Feditor\u002F2.music-notation\u002F8.ornament\u002Ftremolo","\u002Fru\u002Fmusic-notation-software\u002Ftremolo\u002F","tremolo",{"title":538,"path":539,"stem":540,"permalink":541,"pid":542,"nav":77},"Трель","\u002Fru\u002Feditor\u002Fmusic-notation\u002Fornament\u002Ftrill","ru\u002Feditor\u002F2.music-notation\u002F8.ornament\u002Ftrill","\u002Fru\u002Fmusic-notation-software\u002Ftrill\u002F","trill",{"title":526,"path":544,"stem":545,"permalink":546,"pid":547,"nav":77},"\u002Fru\u002Feditor\u002Fmusic-notation\u002Fornament\u002Fturns","ru\u002Feditor\u002F2.music-notation\u002F8.ornament\u002Fturns","\u002Fru\u002Fmusic-notation-software\u002Fturns\u002F","turn",{"title":549,"path":550,"stem":551,"children":552,"page":216},"Text","\u002Fru\u002Feditor\u002Fmusic-notation\u002Ftext","ru\u002Feditor\u002F2.music-notation\u002F9.text",[553,559,565,571,577,582],{"title":554,"path":555,"stem":556,"permalink":557,"pid":558,"nav":77},"Текст","\u002Fru\u002Feditor\u002Fmusic-notation\u002Ftext\u002Fannotation","ru\u002Feditor\u002F2.music-notation\u002F9.text\u002Fannotation","\u002Fru\u002Fmusic-notation-software\u002Fannotation\u002F","annotation",{"title":560,"path":561,"stem":562,"permalink":563,"pid":564,"nav":77},"Аккорды","\u002Fru\u002Feditor\u002Fmusic-notation\u002Ftext\u002Fchords","ru\u002Feditor\u002F2.music-notation\u002F9.text\u002Fchords","\u002Fru\u002Fmusic-notation-software\u002Fchords\u002F","chords",{"title":566,"path":567,"stem":568,"permalink":569,"pid":570,"nav":77},"Цифровой бас","\u002Fru\u002Feditor\u002Fmusic-notation\u002Ftext\u002Ffiguredbass","ru\u002Feditor\u002F2.music-notation\u002F9.text\u002FfiguredBass","\u002Fru\u002Fmusic-notation-software\u002Ffigured-bass\u002F","figuredBass",{"title":572,"path":573,"stem":574,"permalink":575,"pid":576,"nav":77},"Джазовые аккорды","\u002Fru\u002Feditor\u002Fmusic-notation\u002Ftext\u002Fjazz-chords-list","ru\u002Feditor\u002F2.music-notation\u002F9.text\u002Fjazz-chords-list","\u002Fru\u002Fmusic-notation-software\u002Fjazz-chords-list\u002F","jazz chord list",{"title":554,"path":578,"stem":579,"permalink":580,"pid":581,"nav":77},"\u002Fru\u002Feditor\u002Fmusic-notation\u002Ftext\u002Flyrics","ru\u002Feditor\u002F2.music-notation\u002F9.text\u002Flyrics","\u002Fru\u002Fmusic-notation-software\u002Flyrics\u002F","lyrics",{"title":583,"path":584,"stem":585,"permalink":586,"pid":587,"nav":77},"Римские цифры","\u002Fru\u002Feditor\u002Fmusic-notation\u002Ftext\u002Fromannumerals","ru\u002Feditor\u002F2.music-notation\u002F9.text\u002FromanNumerals","\u002Fru\u002Fmusic-notation-software\u002Froman-numerals\u002F","romanNumerals",[589,597],{"id":590,"slug":590,"featureImage":591,"publicationDate":592,"title":593,"excerpt":594,"html":595,"url":596},"64ba372722d04260b3686a65","https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2015\u002F11\u002FLearn-Chapter-7.png","2015-11-25T15:02:32.000+01:00","Music theory : accidentals 1\u002F2 : usual accidentals","Hi,\n\n\nYou may already have understood the way the symbols ♭ and ♯ behave !\n\n\nWe already saw these in the post about note names , distance between notes , and major scales construction.\n\n\nHere is a detailed explanation.\n\n\nSharps\n\n\n\n\nIf you look at C♯ on a piano keyboard, you see that it is the closest key being on the right side of C. In other way , C♯ is a semitone (smallest distance between two notes) up C.\n\n\nSo we could say : If you take a natural tone - let's say C - and you add the symbol ♯ ","\u003Cp>Hi,\u003C\u002Fp>\n\u003Cp>You may already have understood the way the symbols ♭ and ♯ behave !\u003C\u002Fp>\n\u003Cp>We already saw these in the post about \u003Ca href=\"https:\u002F\u002Fblog.flat.io\u002Fmusic-theory-note-names-basics\u002F\">note names\u003C\u002Fa> , \u003Ca href=\"https:\u002F\u002Fblog.flat.io\u002Fmusic-theory-distance-between-notes\u002F\">distance between notes\u003C\u002Fa> , and \u003Ca href=\"https:\u002F\u002Fblog.flat.io\u002Fmusic-theory-major-and-minor-scales-contruction\u002F\">major scales construction\u003C\u002Fa>.\u003C\u002Fp>\n\u003Cp>Here is a detailed explanation.\u003C\u002Fp>\n\u003Ch6 id=\"sharps\">Sharps\u003C\u002Fh6>\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2015\u002F11\u002Fgamme-tout.png\" alt=\"\" loading=\"lazy\">\u003Cbr>\nIf you look at \u003Cstrong>C♯\u003C\u002Fstrong> on a piano keyboard, you see that it is the closest key being on the right side of C. In other way , \u003Cstrong>C♯\u003C\u002Fstrong> is a semitone (smallest distance between two notes) up  \u003Cstrong>C\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cp>So we could say : If you take a natural tone - let's say \u003Cstrong>C\u003C\u002Fstrong> - and you add the symbol ♯ (sharp) right after it you are rising the original note by a semitone.\u003Cbr>\n( natural tone = letter of the musical alphabet = white key )\u003C\u002Fp>\n\u003Cp>Since you already know black keys names , everything seem logical :\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>C♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>C\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>D♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>D\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>F♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>F\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>G♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>G\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>A♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>A\u003C\u002Fstrong>\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>But there is more ! Following the same rule , we also have :\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>E♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>E\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>B♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>B\u003C\u002Fstrong>\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>But we knew that \u003Cstrong>F\u003C\u002Fstrong> was a semitone above \u003Cstrong>E\u003C\u002Fstrong> , and \u003Cstrong>C\u003C\u002Fstrong> was a semitone above \u003Cstrong>B\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cp>We just discovered another way (not usual) to name \u003Cstrong>F\u003C\u002Fstrong>. Sometimes , we prefer to say \u003Cstrong>E♯\u003C\u002Fstrong> instead of \u003Cstrong>F\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cp>We just discovered another way (not usual) to name \u003Cstrong>C\u003C\u002Fstrong>. Sometimes , we prefer to say \u003Cstrong>B♯\u003C\u002Fstrong> instead of \u003Cstrong>C\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Ch6 id=\"flats\">Flats\u003C\u002Fh6>\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2015\u002F11\u002Fgamme-tout.png\" alt=\"\" loading=\"lazy\">\u003Cbr>\nIf you look at \u003Cstrong>E♭\u003C\u002Fstrong> on a piano keyboard , you see that it is the closest key being on the left side of \u003Cstrong>E\u003C\u002Fstrong>. In other way , \u003Cstrong>E♭\u003C\u002Fstrong> is a semitone (smallest distance between two notes) down  \u003Cstrong>E\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cp>So we could say : If you take a natural tone - let's say \u003Cstrong>E\u003C\u002Fstrong> - and you add the symbol ♭ (flat) right after it you are lowering the original note by a semitone.\u003C\u002Fp>\n\u003Cp>Again, since you already know black keys names, everything seem logical :\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>D♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>D\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>E♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>E\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>G♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>G\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>A♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>A\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>B♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>B\u003C\u002Fstrong>\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>But there is more ! Following the same rule , we also have :\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>F♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>F\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>C♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>C\u003C\u002Fstrong>\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>But we knew that \u003Cstrong>E\u003C\u002Fstrong> was a semitone below \u003Cstrong>F\u003C\u002Fstrong> , and \u003Cstrong>B\u003C\u002Fstrong> was a semitone below \u003Cstrong>C\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cp>We just discovered another way (not usual) to name E. Sometimes, we prefer to say F♭ instead of E.\u003C\u002Fp>\n\u003Cp>We just discovered another way (not usual) to name \u003Cstrong>B\u003C\u002Fstrong>. Sometimes, we prefer to say \u003Cstrong>C♭\u003C\u002Fstrong> instead of \u003Cstrong>B\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Ch6 id=\"enharmonic\">Enharmonic\u003C\u002Fh6>\n\u003Cp>Enharmonic notes are notes that have the same pitch but have different note spellings , like \u003Cstrong>E\u003C\u002Fstrong> and \u003Cstrong>F♭\u003C\u002Fstrong> , \u003Cstrong>E♯\u003C\u002Fstrong> and \u003Cstrong>F\u003C\u002Fstrong> , \u003Cstrong>B♯\u003C\u002Fstrong> and \u003Cstrong>C\u003C\u002Fstrong> , \u003Cstrong>C♭\u003C\u002Fstrong> and \u003Cstrong>B\u003C\u002Fstrong>.\u003Cbr>\nWe already mention that at the end of \u003Ca href=\"https:\u002F\u002Fblog.flat.io\u002Fmusic-theory-note-names-basics\u002F\">this post\u003C\u002Fa>.\u003Cbr>\n\u003Cimg src=\"https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2015\u002F11\u002Fenharmonic.png\" alt=\"\" loading=\"lazy\">\u003C\u002Fp>\n\u003Ch6 id=\"notation\">Notation\u003C\u002Fh6>\n\u003Cp>When we want to rise up a note -let's say \u003Cstrong>D\u003C\u002Fstrong>- by a semitone, using the musical alphabet , we put the \"♯\" after the \"\u003Cstrong>D\u003C\u002Fstrong>\" : \u003Cstrong>D♯\u003C\u002Fstrong>\u003Cbr>\nBut when we want to rise up a note using musical notation (using a staff) we put the symbol ♯ before the note.\u003C\u002Fp>\n\u003Ch6 id=\"accidentals-over-time\">Accidentals over time\u003C\u002Fh6>\n\u003Cp>If, somewhere in a \u003Cstrong>measure\u003C\u002Fstrong> (I recommend that you read \u003Ca href=\"https:\u002F\u002Fblog.flat.io\u002Fmusic-theory-ryhthm-measure\u002F\">this post\u003C\u002Fa>) , you put and accidental (let's say a sharp) on a note - let's say \u003Cstrong>F\u003C\u002Fstrong>- , all other \u003Cstrong>F\u003C\u002Fstrong> (situated on the same line or line space) after that one (that one included ) , and located in the same measure , are to be played a semitone above. If, later in the same measure, you want to come back to natural \u003Cstrong>F\u003C\u002Fstrong>, you have to place a natural symbol (♮) before it. Then , all \u003Cstrong>F\u003C\u002Fstrong> after that one (including that one) , situated in the same measure , will be played natural.\u003C\u002Fp>\n\u003Cp>In the next measure , everything comes back to normal (whatever you did, writing a sharp , a flat , or a natural)\u003C\u002Fp>\n\u003Cp>To clear up your mind , just listen to this example !\u003C\u002Fp>\n\u003Ciframe src=\"https:\u002F\u002Fflat.io\u002Fscore\u002F56444b2a3ab833336290dc66?embed=true\" height=\"450\" width=\"700\" frameborder=\"0\">\u003C\u002Fiframe>\n\u003Cp>In the next article, we will discuss \u003Ca href=\"http:\u002F\u002Fhttps\u002F\u002Fblog.flat.io\u002Fmusic-theory-accidentals-2-2-double-accidentals\u002F?ref=blog.flat.io\">double accidentals\u003C\u002Fa>.\u003C\u002Fp>\n\u003Cp>Seb\u003C\u002Fp>\n","https:\u002F\u002Fblog.flat.io\u002Fusual-accidentals\u002F",{"id":598,"slug":598,"featureImage":599,"publicationDate":600,"title":601,"excerpt":602,"html":603,"url":604},"64ba372722d04260b3686aaf","https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2017\u002F05\u002FLearn-Chapter-7.png","2015-11-26T10:33:00.000+01:00","Music theory : accidentals 2\u002F2 : double accidentals","Hi,\n\nIn the previous article, we learned about ♭ and ♯. Today, we'll discover 2 more accidentals: double sharp (𝄪) and double flat (𝄫). Their use is mainly related to minor keys or diminished chords.\n\nThe double sharp (𝄪) raises a note one whole step, and looks like a cross.\n\nNote that 𝄪F sounds like G. We'll see in the minor scales post why sometimes it is more convenient to write 𝄪F instead of G.\n\nThe double flat (𝄫) lowers a note by a whole step, and looks like two flats glued together.","\u003Cp>\u003C\u002Fp>\u003Cp>Hi,\u003C\u002Fp>\u003Cfigure class=\"kg-card kg-image-card\">\u003Ca href=\"https:\u002F\u002Fgo.flat.io\u002F2diyxvn?ref=blog.flat.io\">\u003Cimg src=\"https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2026\u002F05\u002FBanner-B.png\" class=\"kg-image\" alt=\"\" loading=\"lazy\" width=\"2000\" height=\"742\" srcset=\"https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002Fsize\u002Fw600\u002F2026\u002F05\u002FBanner-B.png 600w, https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002Fsize\u002Fw1000\u002F2026\u002F05\u002FBanner-B.png 1000w, https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002Fsize\u002Fw1600\u002F2026\u002F05\u002FBanner-B.png 1600w, https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2026\u002F05\u002FBanner-B.png 2000w\" sizes=\"(min-width: 720px) 720px\">\u003C\u002Fa>\u003C\u002Ffigure>\u003Cp>In the \u003Ca href=\"https:\u002F\u002Fblog.flat.io\u002Fusual-accidentals\u002F\">previous article\u003C\u002Fa>, we learned about ♭ and ♯. Today, we'll discover 2 more accidentals: double sharp (𝄪) and double flat (𝄫). Their use is mainly related to minor keys or diminished chords.\u003C\u002Fp>\u003Cp>\u003Cstrong>The double sharp (𝄪) raises a note one whole step, and looks like a cross.\u003C\u002Fstrong>\u003C\u002Fp>\u003Cfigure class=\"kg-card kg-embed-card\">\u003Ciframe src=\"https:\u002F\u002Fflat.io\u002Fscore\u002F581b4f97fae3ed6b47f116eb?embed=true\" height=\"450\" width=\"700\" frameborder=\"0\">\u003C\u002Fiframe>\u003C\u002Ffigure>\u003Cp>Note that 𝄪F sounds like G. We'll see in the minor scales post why sometimes it is more convenient to write 𝄪F instead of G.\u003C\u002Fp>\u003Cp>\u003Cstrong>The double flat (𝄫) lowers a note by a whole step, and looks like two flats glued together.\u003C\u002Fstrong>\u003C\u002Fp>\u003Cfigure class=\"kg-card kg-embed-card\">\u003Ciframe src=\"https:\u002F\u002Fflat.io\u002Fscore\u002F581b519ab94034420d46774b?embed=true\" height=\"450\" width=\"700\" frameborder=\"0\">\u003C\u002Fiframe>\u003C\u002Ffigure>\u003Cp>𝄫B sounds like A. Like any accidental, a double flat cancels all previous accidentals and is cancelled by any accidental.\u003C\u002Fp>\u003Cp>That's all for today! Have a good day, Sebastien\u003C\u002Fp>\u003Cfigure class=\"kg-card kg-image-card\">\u003Ca href=\"https:\u002F\u002Fgo.flat.io\u002F2diyxvn?ref=blog.flat.io\">\u003Cimg src=\"https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2026\u002F05\u002FBanner-B.png\" class=\"kg-image\" alt=\"\" loading=\"lazy\" width=\"2000\" height=\"742\" srcset=\"https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002Fsize\u002Fw600\u002F2026\u002F05\u002FBanner-B.png 600w, https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002Fsize\u002Fw1000\u002F2026\u002F05\u002FBanner-B.png 1000w, https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002Fsize\u002Fw1600\u002F2026\u002F05\u002FBanner-B.png 1600w, https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2026\u002F05\u002FBanner-B.png 2000w\" sizes=\"(min-width: 720px) 720px\">\u003C\u002Fa>\u003C\u002Ffigure>","https:\u002F\u002Fblog.flat.io\u002Fmusic-theory-accidentals-2-2-double-accidentals\u002F",[],{"tree":607},[],1778599515471]